Directed by: Alan Taylor
Written by: Christopher Yost, Christopher Markus, & Stephen McFeely
Starring: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Christopher Eccleston, Stellan Skarsgard, Idris Elba, Kat Dennings, Rene Russo
Until Thor: The Dark World was released, the only individual franchise in the Marvel Studio universe that had a sequel (and I am not counting The Incredible Hulk as being a sequel to The Hulk) was Iron Man. Thor: The Dark World is a bigger test for Marvel than Iron Man 2 was primarily because (1) audiences gravitated toward Robert Downey, Jr.’s defining performance so much that the actor alone ensured a huge box office in the first weekend alone; (2) a billionaire playboy who suits up in a electronically sophisticated flying robotic armor is more interesting than a mythological god whose only weapon is a fucking hammer and whose world looks like a poor man’s version of J.R.R. Tolkien; and (3) Tony Stark’s pop culture-infused sharp sarcasm is funnier than Thor’s old English dialogue. It is far less risky to have a wisecracking Robert Downey, Jr. in a real world setting than a Viking god from outer space, played by a relatively unknown actor.
With Thor: The Dark World, I am disturbingly finding myself walking out of the theater thinking once you have seen one Marvel film, you have seen them all. These films are beginning to feel more like TV episodes (or I guess you can say issues of comic books). While I overall enjoyed Thor: The Dark World, I was disappointed to find that it was not much of an improvement over its predecessor.
In this sequel, Asgard is faced with a new threat in the form of the Malekith (Christopher Eccleston) and his minions, who are these ancient creatures called Dark Elves and who seek to return the universe back to eternal darkness. Malekith intends to accomplish his goal with the use of the Aether during the Convergence, an event that occurs once every like 10,000 years in which all of the nine realms of the universe align together. Thor: The Dark World takes place right after the events of The Avengers. Thor (Chris Hemsworth) returns Loki (Tom Hiddleston) to Asgard and the villainous brother is condemned to spend eternity inside a dungeon. Thor remains busy bringing peace to the various kingdoms. In the meantime, Jane Foster (Natalie Portman), his heartbroken love, continues her research into finding barriers between worlds. During her research, she stumbles across the Aether and is possessed by it. Thor finds her and returns her to Asgard to separate the Aether from Jane. However, discovery of the Aether reawakens Malekith, who descends upon Asgard to possess the powerful object.
If you can’t tell from my summary, Thor: The Dark World steeps itself a lot more into the fantasy Asgardian elements of this property than the first film. As one of the main directors of the hit TV show, Game of Thrones, director Alan Taylor is better suited to handle the fantasy aspect of the story than Kenneth Branagh, the director of the first film. This time Asgard feels more grounded and gritty and you get a sense that there are actual inhabitants outside of Thor, Odin and Loki. Taylor also does a fine job bringing back the humor the first film had and giving Thor: The Dark World a touch of lightness that the Marvel movies all seem to have. Here, it is obvious Joss Whedon exercised a heavy hand in many of this film’s humor, with gags and a great cameo from another Marvel superhero. Taylor also manages to avoid the typically dreadful third act climax/showdown that Marvel movies are sometimes plagued with (see Iron Man 1 and 2) – the final set piece is an inventive action sequence that, although not exceptional, is fun to watch.
However, despite the film’s virtues, Thor: The Dark World is held back by a number of elements. For one, Malekith is a woefully under-developed character, which is a real disappointment given how the very talented, charismatic, and versatile Christopher Eccleston (Mads Mikkelsen was originally cast to play Malekith, but he dropped out because of Hannibal) was cast to play this character. Aside from some decent design work on Malekith and his elvish minions, he doesn’t do a whole lot. Most of Malekith’s interactions occur with his henchman Algrim (Adewale Akinnuoye-Agbaje). He has one forgettable exchange with Thor and that is pretty much about it.
It is obvious that the studio decided to give short shrift to Malekith’s development in favor of allowing for more screen time to Loki, probably the most popular and memorable character in the Marvel movie universe next to Iron Man. Tom Hiddleston again proves himself to be indispensable to the enjoyment of this movie. He deftly combines a little boy vulnerability with his malevolent trickster traits. By now, Chris Hemsworth and Hiddleston have starred together in their third movie and you can see the two actors really hit their stride with these characters. At the same time, we are getting the same Loki that we saw in the first Thor and in The Avengers. There is no real character development here with him. The outcome with his character in this film seems to be setting him up for a third Thor film.
I have to say that I did not dig this more mature, noble Thor. I miss the cocky, impulsive, arrogant Norse god that we saw on display in the first film and in The Avengers. Now, he’s just some dull superhero who takes everything too seriously and much of the comedy he provided in Thor is gone (except for what Loki provides).
As for the rest of the characters, I was pleasantly surprised to find an expanded role for Rene Russo, who plays Thor’s mother. One of the best scenes in the film occurs between her and Malekith as she tries to protect Jane Foster from the dark elf. Kat Dennings and Stellan Skarsgard also return to serve as more comic relief. For awhile I was expecting to see the story delve into an interesting love triangle between Jaimie Alexander’s Sif, Thor, and Jane Foster, but other than a few hints here and there, nothing comes of this sub-plot. Many have pointed out that Anthony Hopkins barely registers in this film as Thor’s father, Odin. I disagree and I found the performance to be far better and memorable than what Hopkins did in the first film.
I had the misfortune of seeing Thor: The Dark World in 3D. Reportedly, director Alan Taylor was not told that his film would be converted to 3D and it shows. The 3D make the whole image darker for one, and the technology was not utilized in the least bit. There is some very nice design work and landscapes in the Asgardian scenes and you totally miss it by watching it in 3D.
Ultimately, Thor: The Dark World is a fun, escapist romp that’s worth spending a nice Sunday afternoon in the theater to see (without the 3D). There is nothing original in terms of storyline, visual effects, or characters, but you weren’t really expecting that anyway, were you? Its unfortunate the talents of Christopher Eccleston are totally wasted, but at least we get a large dose of Loki instead, which is always welcome. Make sure you stick around for the end credits (like you should do with every Marvel film) for a nice teaser for Guardians of the Galaxy.